Existentialism in Camus and Kafka Essay

Franz Kafkas The Metamorphosis and Albert Camus The Outsider, twain feature protagonists in situations out of which arise existential philosopher values. existentialist philosophy is a philosophy that emphasizes the uniqueness and isolation of the individual experience in a hostile or indifferent universe, regards hu humans existence as unexplain fitted, and stresses license of choice and responsibility for the consequences of ones acts. In The Metamorphosis the protagonist, Gregor Samsa, realizes his existentialist philosophy towards the end of the novella.In contrast, Monsieur Meursault, the protagonist in The Outsider, knows of his existentialism, still realizing his lifes lose of shrinkificance moments after he is sentenced to death. Despite the somewhat stiff nature of The Metamorphosis, and the realistic nature of The Outsider, similar values ar communicated to the contributor. The easiest to s eer out being that it is up to the individual to create his/her own life , and that the brutal behaviour presented by both(prenominal) protagonists bequeath eventu each(prenominal)y tend to genuinely bad things namely death in both novellas.These deaths be, how eer, very different, as are the methods through which Kafka and Camus have made each novel goose egg but a philosophy put into images. Meursault (the bank clerk) in The Stranger scarce sees and only wants to see the absolute truth in society. The readers first encounter with him Mama died today. Or yesterday maybe, I applyt know. I got a telegram from the home Mother deceased. Funeral tomorrow. faithfully yours. That doesnt mean whatsoeverthing. Maybe it was yesterday. immediately gives an impression of a lack of emotion towards the demise of his mother.This lack of emotion highlights the existentialist ideal that we all die, so it doesnt matter what life we have turn we are a proceed. We simply exist, as did Meursault. It becomes apparent, as the novella unfolds, that Meursault has acquired an animal like spiritlessness towards society. His inter challenges with his neighbour Raymond are an example of his indifferences. It never dawns upon Meursault that society does not condone his interactions with the pimp, avoided by his community. Meursault simply acts to fill his time.Being a single man, he has a lot of time to fill, and attains the weekends passing particularly slowly. While the scene passes slowly before Meursault, Camus text flows quickly. He uses short sharp sentences to produce an atmosphere devoid of emotion or feeling. This is especially effective between pages 21 and 24, at the end of chapter two, when Meursault is giving a descriptive write up of the life outside his window on a typical Sunday. He ends the chapter saying one more Sunday was over nothing had changed. Existentialism is present in nearly all of Meursaults interactions with society.One much(prenominal) piece of evidence supporting Meursaults existentialism is his interacti on with Marie. His railroad tie is merely sexual and physical. Meursault uses Marie to help him pass his time he spends an blameless Saturday with her. When questioned about love and marriage, Meursaults replies show indifference through their nothingness. Meursault is existentialist to the extent that he couldnt care less about the cut his life (or lack of one) takes. The reader is constantly bombarded with short phrases revealing ever more Meursaults useless outlook on a nugatory existence.Examples of this come in the form of Meursault confining himself to only one room in his apartment, his ignorance to genial expectations, his mindless identification with old Salamano and his dog, and most importantly his disregard for human life and the consequences for the removal of it. As mentioned in the to a higher place definition of existentialism, it stresses the responsibility for ones own actions. When Meursault comes to outpouring for killing the Arab, he last realises t hat he cant take the responsibility. This is the main turning chief as far as existentialism is concerned in The Outsider.Franz Kafkas The Metamorphosis is equally as philosophical. The novella is written as a metaphor, with a very strong sense of vivid realism. The metaphor is for any situation in which someone tries to break salvage form a social norm, only to fall failing to convince the society that his/her action is just. The protagonist, Gregor Samsa, brought society against him when he questioned his life as a travelling salesperson. hearty expectations had put him in his place, but he decided, although the reader may pretend quite subconsciously, that it was not the place for him.His wish to remove all social burdens from his shoulders is first illustrated to him through his transformation into a monstrous vermin. The protagonist was the narrator in The Outsider, a man who told the story of his demise from existentialism, only to find he filmed a life just before his c hances were interpreted away. The Metamorphosis, on the other hand, is narrated on the third person, where the reader receives an unbiased soak up of Gregor Samsas attempts to become existentialist.Where Camus used short to the shut off statements to show existentialism, Kafka has alter his novella with colourful descriptive literal language, in an attempt to point out the depth in any situation, such as Gregors many squirming legs, his visualisation of his room becoming ever smaller and ever more bland, and the descriptive nature with which the fatal apple becomes lodged in Gregors back and ultimately allows him to die. The Outsiders Meursault is existentialist, finding a sine qua non for a marrow to life only when his is about to be taken.In The Metamorphosis, Gregor Samsa, on the other hand, has a meat to his life, and wishes it away. The gradual move towards existentialism in Kafkas novella runs throughout, from the moment Gregor wakes up as a bug until the moment he bre aths no more. Gregor shows that he knows his life has heart when at the beginning of the novella he is more concerned about how he leave behind fulfil his social purpose than what he will do about being a bug. Albert Camus said that we get into the substance abuse of living before acquiring the habit of thinking.In that race which occasional hastens us towards death, the body maintains its irreparable lead. ?In The Metamorphosis, Gregor thinks about his position, throwing his body into dismay, eventually leading to his death. As Gregor is further shunned by society for not conforming, represented in the novella quite dramatically by Gregor being a dung beetle among humans, he starts to forget any shred of meaning his life can have. He searches beyond his room for a meaning to life, but the further he ponders, the harder society hits him.You will never be happy if you continue to search for what happiness consists of. You will never live if you are looking for the meaning of lif e. ?Gregor realized his existentialism taking him over, as he gave his life to the destiny he had for it created. Having read both novellas, a reader could come to the conclusion that both feature a explicit theme of existentialism, while The Outsider is centred on a protagonist who recognises the need to change from existentialism, and The Metamorphosis around one that recognises existentialisms heading in society.At the end of each, the protagonist either dies or is awaiting death. The deaths are brought about by a destiny the Meursault thought he couldnt change, and Gregor brought upon himself. Meursault realised too late that he wouldnt be able to take responsibility for his actions. It was only when he was forced by the trial to delve into his memory (something that he had little use for as an existentialist) that he recognised how he had shaped his own end. Life did have meaning to him then, and his was only to wish that there be a large labor of spectators the day of my execution and that they greet me with cries of hate.Gregor Samsa allowed his life to end upon realising that he was free from society, but too that existentialism rendered him useless. Before his death, his indifference to everything was much too deep for him to have gotten on his back and scrubbed himself clean ?From Gregors point of view, Franz Kafka was correct in saying A first sign of the beginning of understanding is the wish to die. The end of The Outsider sees a man ready to start again, but ready too late.The conclusion of The Metamorphosis, however, serves not only to allow the Samsa family a chance to start again, but also to highlight that even following Gregors horrific ordeal his family will put Gregors sister through the same process that lead Gregor to his death. Gregors sisters life is given a meaning, and the reader often hopes that she recognises it and respects it. The Metamorphosis highlights that one must engage in social interaction to have a meaning in life , while portraying the grim hopelessness of a life determined by social interaction.The Outsider, on the other hand, follows an idea that quietly not conforming will only smart oneself. An existentialist might argue that to hurt oneself would not matter, in hurting oneself (especially the way in which Meursault did by killing the Arab) one is giving ones life a meaning. thus far if that meaning is sufferance, the agony will still end one day, as it is destined to, removing all meaning from all life. The two novellas give an straightforward outline of existentialism, and give, in both cases, existentialism the negative property that it leads to death.The authors were both highly regarded by their respective peers. Camus was existentialist, and Camus referred to Kafka as an absurdist-existentialist. Both have produced kit and caboodle bringing to light the grim reality of existentialism, yet neither has created an advert for it. It could even be said that the novellas where writt en to give meaning to the lives of the authors, and to stop society taking the roads of the protagonists. After all, who wants their indifference to change only when theyre threatened with lawful murder? And who wants to die a worthless bug? words1668.